Änglagård – Viljans Öga (2012)
Artist: Änglagård
Album: Viljans Öga
Genre: Symphonic Prog
Label: Änglagård Records
Year Of Release: 2012
Quality: FLAC (tracks+.cue)
Tracklist:
01. Ur Vilande [15:47]
02. Sorgmantel [12:06]
03. Snårdom [16:15]
04. Längtans Klocka [13:22]
Personnel:
– Jonas Engdegård / guitars
– Thomas Johnson / pianos, Mellotrons, synthesizers
– Anna Holmgren / concert flute, tenor saxophone
– Johan Brand / bass, Taurus bass pedals
– Mattias Olsson / drums, percussion, effects
With:
– Daniel Borgegård Älgå / clarinet, bass clarinet, baritone saxophone
– Ulf Åkerstedt / bass tuba, bass & contrabass trumpets
– Tove Törnberg / cello
I am definitely not the only one, but I cannot believe a new album from Änglagård is out! Back in 1994, they broke up following the release of Epilog and their performance at Progfest ’94 (that performance was made available on CD two years later as Buried Alive). They talked like they’ll never reunite. Then in 2002 they reunited, but without Tord Lindman. By 2003 it was clear they weren’t sticking around, and sure again we thought we’d never hear from them again. Now there’s a second reunion, without Tord again, and this time they managed a new album, Viljans Öga. How does it stack up to their first two? Very well, in fact this is just as essential. They take on an even more complex and grandiose approach than before, there are the occasions the passages veer close to RIO. But there are still plenty of that somber and pastoral passages. They still take that same approach as before, playing one thing, move on to the next thing, maybe revisiting a theme. It’s plain they can hold their own with just one guitarist (Jonas Engdegård). How about the keyboards? Thomas Johnson still uses tons of Mellotron and Hammond organ, plus a little electric piano. This, just like their first two, is a totally quintessential Mellotron album. This is not an easy listen, that’s for sure. You’ll keep discovering new things every time you listen. On the opening cut, “Ur Vilande”, there’s one passage that almost sounds like a didgeridoo. No didg used, it just sounds a bit like one. Mattias Olsson was also credited to effects, so that didgeridoo-like effect was probably from him. Anna Holmgren not only plays flute, but even a little tenor saxophone, but they also included some guests for cello and other wind instruments. Since I received this, I just kept listening to it over and over. I am just totally amazed that after an 18 year silence that they come out with a masterpiece every bit as good as their first two. This is bound to be yet another classic, and likely easily the best of 2012.
The CD comes with a triple foldout, done in that Änglagård style, with forests, plus a booklet with poems to each song and artwork similar to that of Epilog. When I received my CD, I noticed the cover is actually darker and less chromatic that what’s been posted online, which I actually like it better darker. The typefont is gold (like that of Epilog), rather than white.
I am ever so delighted about this new release. You collection isn’t complete without it!
Review by Progfan97402
